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Session 1 - Filter Design for Audio |
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| 001 |
Discretization of the '59 Fender Bassman Tone Stack |
[.bib] |
[slides 2.2Mo] |
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David T. Yeh and Julius O. Smith |
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| 007 |
On the Use of Volterra Series for Efficient Real-Time Simulations of Weakly Nonlinear Analog Audio Devices: Application to the Moog Ladder Filter |
[.bib] |
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Thomas Hélie |
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| 013 |
Robust Design of Very High-Order Allpass Dispersion Filters |
[.bib] |
[slides 300ko] |
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Jonathan S. Abel and Julius O. Smith |
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Session 2 - Performance and Gestural Control |
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| 019 |
Consistency of Timbre Patterns in Expressive Music Performance |
[.bib] |
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Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad |
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[additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06] |
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| 025 |
Real-Time Detection of Finger Picking Musical Structures |
[.bib] |
[slides 132ko] |
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Dale E. Parson |
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| 031 |
Using Visual Textures for Sonic Textures Production and Control |
[.bib] |
[slides 3.4Mo] |
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Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier |
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Poster Session 1 |
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| 037 |
Graphic Equalizer Design Using Higher-Order Recursive Filters |
[.bib] |
[poster 340ko] |
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Martin Holters and Udo Zölzer |
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| 041 |
Performance-Driven Control for Sample-Based Singing Voice Synthesis |
[.bib] |
[poster 1.4Mo] |
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Jordi Janer, Jordi Bonada, and Merlijn Blaauw |
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| 045 |
Parameterized Morphing as a Mapping Technique for Sound Synthesis |
[.bib] |
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Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse |
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| 049 |
Examining Design Goals of Digital Musical Instruments |
[.bib] |
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Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley |
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| 053 |
The Modified Chamberlin and Zölzer Filter Structures |
[.bib] |
[poster 260ko] |
| |
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Duane K. Wise |
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| 057 |
Smooth and Safe Parameter Interpolation of Biquadratic Filters in Audio Applications |
[.bib] |
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Victor Kalinichenko |
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| 067 |
X-Micks - Interactive Real-Time Content Based Audio Processing |
[.bib] |
[poster 340ko] |
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Norbert Schnell, Diemo Schwarz, and Remy Müller |
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Session 3 - Sound Synthesis 1 |
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| 071 |
Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters |
[.bib] |
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Jukka Rauhala and Vesa Välimäki |
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[additional resources at: http://www.acoustics.hut.fi/demos/ext-disp/] |
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| 077 |
Prepared Piano Sound Synthesis |
[.bib] |
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Stefan Bilbao and John ffitch |
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| 083 |
Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator |
[.bib] |
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Philippe Guillemain and Jonathan Terroir |
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[additional resources at: http://www.lma.cnrs-mrs.fr/~guillemain/DAFX06/dafx06.htm] |
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| 089 |
A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides |
[.bib] |
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Gary Scavone and Julius O. Smith |
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Session 4 - Audio Effects |
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| 095 |
The Mellin Pizzicator |
[.bib] |
[slides 4Mo] |
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Antonio De Sena and Davide Rocchesso |
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[additional resources at: http://profs.sci.univr.it/~desena/FMT/] |
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| 101 |
Fractal Modulation Effects |
[.bib] |
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Gianpaolo Evangelista |
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[additional resources at: http://staffwww.itn.liu.se/~giaev/soundexamples.html] |
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| 107 |
An Interdisciplinary Approach to Audio Effect Classification |
[.bib] |
[slides 6.6Mo] |
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Vincent Verfaille, Catherine Guastavino, and Caroline Traube |
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Session 5 - Perceptual Issues and Psychoacoustics |
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| 115 |
On the Dynamics of the Harpsichord and its Synthesis |
[.bib] |
[slides 1.1Mo] |
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Henri Penttinen |
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[additional resources at: http://www.acoustics.hut.fi/publications/papers/dafx2006-harpsichord-dynamics/] |
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| 121 |
Musical Sound Timbre: Verbal Description and Dimensions |
[.bib] |
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Jan Stӗpánek |
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| 127 |
Musical Key Estimation of Audio Signal Based on Hidden Markov Modeling of Chroma Vectors |
[.bib] |
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Geoffroy Peeters |
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Session 6 - Audio Analysis and Low Level Features 1 |
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| 133 |
Onset Detection Revisited |
[.bib] |
[slides 70ko] |
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Simon Dixon |
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| 139 |
A New Analysis Method for Sinusoids+Noise Spectral Models |
[.bib] |
[slides 0.6Mo] |
[.zip 6.6Mo] |
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Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand |
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[additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html] |
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| 145 |
Adaptive Noise Level Estimation |
[.bib] |
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Chunghsin Yeh and Axel Röbel |
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Poster Session 2 |
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| 149 |
Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects |
[.bib] |
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William Martens and Marui, Atsushi |
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| 153 |
Inter Genre Similarity Modeling for Automatic Music Genre Classification |
[.bib] |
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Ulas Bagci and Engin Erzin |
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| 157 |
Variable Pre-Emphasis LPC for Modeling Vocal Effort in the Singing Voice |
[.bib] |
[poster 320ko] |
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Karl I. Nordstrom and Peter F. Driessen |
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[additional resources at: http://www.ece.uvic.ca/~knordstr/dafx06/] |
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| 161 |
Frequency-Dependent Boundary Condition for the 3-D Digital Waveguide Mesh |
[.bib] |
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Antti Kelloniemi |
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| 165 |
Some Physical Audio Effects |
[.bib] |
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Edgar Berdahl and Julius O. Smith |
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[additional resources at: http://ccrma.stanford.edu/~eberdahl/Projects/PhysicalEffects/] |
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| 169 |
Table Lookup Oscillators Using Generic Integrated Wavetables |
[.bib] |
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Günter Geiger |
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| 173 |
Error Compensation in Modeling Time-Varying Sinusoids |
[.bib] |
[poster 5Mo] |
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Xue Wen and Mark Sandler |
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| 177 |
A Stochastic State-Space Phase Vocoder for Synthesis of Roughness |
[.bib] |
[poster 8.5Mo] |
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Doug Van Nort and Philippe Depalle |
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Session 7 - Sound Synthesis 2 |
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| 181 |
Fast Additive Sound Synthesis Using Polynomials |
[.bib] |
[slides 0.6Mo] |
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Matthias Robine, Robert Strandh, and Sylvain Marchand |
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| 193 |
Circle Maps as a Simple Oscillators for Complex Behavior: II. Experiments |
[.bib] |
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Georg Essl |
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| 199 |
Feedback Implementation Within a Complex Event Generation System for Emergent Sonic Structures |
[.bib] |
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Sinan Bökesoy |
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[additional resources at: http://www.sonic-disorder.com/cosmosfdb-examples.zip] |
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Session 8 - Spatialization |
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| 203 |
Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo |
[.bib] |
[slides 1.3Mo] |
[.zip 1Mo] |
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Maurice Fallon, Simon Godsill, and Andrew Blake |
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[additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html] |
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| 209 |
On the Use of Irregularly Spaced Loudspeaker Arrays for Wave Field Synthesis, Potential Impact on Spatial Aliasing Frequency |
[.bib] |
[slides 9Mo] |
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Étienne Corteel |
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| 215 |
Detection of Room Reflections from a Binaural Room Impulse Response |
[.bib] |
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Sampo Vesa and Tapio Lokki |
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| 221 |
Archaeological Acoustic Space Measurement for Convolution Reverberation and Auralization Applications |
[.bib] |
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Damian T. Murphy |
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[additional resources at: http://www.boothambar.org.uk/] |
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Session 9 - Source Separation |
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| 227 |
Improved Cocktail-Party Processing |
[.bib] |
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Alexis Favrot, Markus Erne, and Christof Faller |
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| 233 |
A Source Localization/Separation/Respatialization System Based on Unsupervised Classification of Interaural Cues |
[.bib] |
[slides 0.6Mo] |
[.zip 17.5Mo] |
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Joan Mouba and Sylvain Marchand |
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[additional resources at: http://dept-info.labri.fr/~sm/DAFx06/] |
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Session 10 - Audio Analysis and Low Level Features 2 |
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| 239 |
Assessing the Quality of the Extraction and Tracking of Sinusoidal Components: Towards an Evaluation Methodology |
[.bib] |
[slides 0.5Mo] |
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Mathieu Lagrange and Sylvain Marchand |
|
| 247 |
Sinusoidal Extraction Using an Efficient Implementation of a Multi-Resolution FFT |
[.bib] |
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Karin Dressler |
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| 253 |
High Accuracy Frame-by-Frame Non-Stationary Sinusoidal Modelling |
[.bib] |
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Jeremy J. Wells and Damian T. Murphy |
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Poster Session 3 |
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| 259 |
Granular Resynthesis for Sound Unmixing |
[.bib] |
[poster 44ko] |
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Gunnar Eisenberg and Thomas Sikora |
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| 263 |
Extraction and Removal of Percussive Sounds from Musical Recordings |
[.bib] |
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John Usher |
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| 267 |
Representations of Audio Signals in Overcomplete Dictionaries: What is the Link Between Redundancy Factor and Coding Properties? |
[.bib] |
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Emmanuel Ravelli and Laurent Daudet |
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| 271 |
A Spatial Interface for Audio and Music Production |
[.bib] |
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Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock |
|
| 275 |
Streaming Frequency-Domain DAFx in Csound 5 |
[.bib] |
[poster 380ko] |
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Victor Lazzarini, Joe Timoney, and Tom Lysaght |
|
| 279 |
Real-Time Corpus-Based Concatenative Synthesis with CataRT |
[.bib] |
[poster 400ko] |
|
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Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton |
|
| 283 |
Multichannel Signal Representation in PWGLSynth |
[.bib] |
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Mikael Laurson and Vesa Norilo |
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[additional resources at: http://www2.siba.fi/PWGL/] |
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| 287 |
Using Faust for FPGA Programming |
[.bib] |
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Robert Trausmuth, Christian Dusek, and Yann Orlarey |
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Session 11 - Audio Coding & Audio for Multimedia |
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| 291 |
Parametric Coding of Stereo Audio Based on Principal Component Analysis |
[.bib] |
[slides 2.4Mo] |
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Manuel Briand, David Virette, and Nadine Martin |
|
| 297 |
Exact Discrete-Time Realization of a Dolby B Encoding/Decoding Architecture |
[.bib] |
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Federico Avanzini and Federico Fontana |
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| 303 |
Real-Time Bayesian GSM Buzz Removal |
[.bib] |
[slides 5Mo] |
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Han Lin and Simon Godsill |
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[additional resources at: http://www-sigproc.eng.cam.ac.uk/~hl309/dafx2006/] |
|
| 309 |
Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis |
[.bib] |
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Woon Seung Yeo and Jonathan Berger |
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|
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Session 12 - Software Implementation |
|
| 315 |
Cecilia and TclCsound |
[.bib] |
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Jean Piché and Victor Lazzarini |
|
| 319 |
A New Paradigm for Sound Design |
[.bib] |
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Ananya Misra, Perry R. Cook, and Ge Wang |
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[additional resources at: http://taps.cs.princeton.edu/] |
|
| 325 |
Sound Processing in OpenMusic |
[.bib] |
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Jean Bresson |
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| |