Papers are directly accessible as PDF files, by order of authors names, the index begin the left column.
The right column indicate the type of presentation: oral (or [slides] when available), or poster.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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[A]	Abel	Robust Design of Very High-Order Allpass Dispersion Filters	[slides]
		Jonathan S. Abel and Julius O. Smith
	Arfib	Using Visual Textures for Sonic Textures Production and Control	[slides]
		Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
	Avanzini	Exact Discrete-Time Realization of a Dolby B Encoding/Decoding Architecture	(oral)
		Federico Avanzini and Federico Fontana
[B]	Bagci	Inter Genre Similarity Modeling for Automatic Music Genre Classification	(poster)
		Ulas Bagci and Engin Erzin
	Barthet	Consistency of Timbre Patterns in Expressive Music Performance	(oral)
		Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
		[additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
	Beller	Real-Time Corpus-Based Concatenative Synthesis with CataRT	[poster]
		Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
	Berdahl	Some Physical Audio Effects	(poster)
		Edgar Berdahl and Julius O. Smith
		[additional resources at: http://ccrma.stanford.edu/~eberdahl/Projects/PhysicalEffects/]
	Berger	Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis	(oral)
		Woon Seung Yeo and Jonathan Berger
	Bilbao	Prepared Piano Sound Synthesis	(oral)
		Stefan Bilbao and John ffitch
	Birnbaum	Examining Design Goals of Digital Musical Instruments	(poster)
		Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
	Blaauw	Performance-Driven Control for Sample-Based Singing Voice Synthesis	[poster]
		Jordi Janer, Jordi Bonada, and Merlijn Blaauw
	Blake	Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo	[slides][.zip]
		Maurice Fallon, Simon Godsill, and Andrew Blake
		[additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
	Bökesoy	Feedback Implementation Within a Complex Event Generation System for Emergent Sonic Structures	(oral)
		Sinan Bökesoy
		[additional resources at: http://www.sonic-disorder.com/cosmosfdb-examples.zip]
	Bonada	Performance-Driven Control for Sample-Based Singing Voice Synthesis	[poster]
		Jordi Janer, Jordi Bonada, and Merlijn Blaauw
	Bresson	Sound Processing in OpenMusic	(oral)
		Jean Bresson
	Briand	Parametric Coding of Stereo Audio Based on Principal Component Analysis	[slides 2.4Mo]
		Manuel Briand, David Virette, and Nadine Martin
	Britton	Real-Time Corpus-Based Concatenative Synthesis with CataRT	[poster]
		Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
[C]	Cook	A New Paradigm for Sound Design	(oral)
		Ananya Misra, Perry R. Cook, and Ge Wang
		[additional resources at: http://taps.cs.princeton.edu/]
	Cooperstock	A Spatial Interface for Audio and Music Production	(poster)
		Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
	Corteel	On the Use of Irregularly Spaced Loudspeaker Arrays for Wave Field Synthesis, Potential Impact on Spatial Aliasing Frequency	[slides]
		Étienne Corteel
	Couturier	Using Visual Textures for Sonic Textures Production and Control	[slides]
		Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
[D]	Daudet	Representations of Audio Signals in Overcomplete Dictionaries: What is the Link Between Redundancy Factor and Coding Properties?	(poster)
		Emmanuel Ravelli and Laurent Daudet
	De Sena	The Mellin Pizzicator	[slides]
		Antonio De Sena and Davide Rocchesso
		[additional resources at: http://profs.sci.univr.it/~desena/FMT/]
	Depalle	A Stochastic State-Space Phase Vocoder for Synthesis of Roughness	[poster]
		Doug Van Nort and Philippe Depalle
	Dressler	Sinusoidal Extraction Using an Efficient Implementation of a Multi-Resolution FFT	(oral)
		Karin Dressler
	Driessen	Variable Pre-Emphasis LPC for Modeling Vocal Effort in the Singing Voice	[poster]
		Karl I. Nordstrom and Peter F. Driessen
		[additional resources at: http://www.ece.uvic.ca/~knordstr/dafx06/]
	Dixon	Onset Detection Revisited	[slides]
		Simon Dixon
	Dusek	Using Faust for FPGA Programming	(poster)
		Robert Trausmuth, Christian Dusek, and Yann Orlarey
[E]	Eisenberg	Granular Resynthesis for Sound Unmixing	[poster]
		Gunnar Eisenberg and Thomas Sikora
	Erne	Improved Cocktail-Party Processing	(oral)
		Alexis Favrot, Markus Erne, and Christof Faller
	Erzin	Inter Genre Similarity Modeling for Automatic Music Genre Classification	(poster)
		Ulas Bagci and Engin Erzin
	Essl	Circle Maps as a Simple Oscillators for Complex Behavior: II. Experiments	(oral)
		Georg Essl
	Evangelista	Fractal Modulation Effects	(oral)
		Gianpaolo Evangelista
		[additional resources at: http://staffwww.itn.liu.se/~giaev/soundexamples.html]
[F]	Faller	Improved Cocktail-Party Processing	(oral)
		Alexis Favrot, Markus Erne, and Christof Faller
	Fallon	Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo	[slides][.zip]
		Maurice Fallon, Simon Godsill, and Andrew Blake
		[additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
	Favrot	Improved Cocktail-Party Processing	(oral)
		Alexis Favrot, Markus Erne, and Christof Faller
	ffitch	Prepared Piano Sound Synthesis	(oral)
		Stefan Bilbao and John ffitch
	Filatriau	Using Visual Textures for Sonic Textures Production and Control	[slides]
		Jehan-Julien Filatriau, Daniel Arfib, and Jean-Michel Couturier
	Fontana	Exact Discrete-Time Realization of a Dolby B Encoding/Decoding Architecture	(oral)
		Federico Avanzini and Federico Fontana
[G]	Geiger	Table Lookup Oscillators Using Generic Integrated Wavetables	(poster)
		Günter Geiger
	Godsill	Joint Acoustic Source Location and Orientation Estimation Using Sequential Monte Carlo	[slides][.zip]
		Maurice Fallon, Simon Godsill, and Andrew Blake
		[additional resources at: http://www-sigproc.eng.cam.ac.uk/~mff25/research.html]
		Real-Time Bayesian GSM Buzz Removal	[slides]
		Han Lin and Simon Godsill
		[additional resources at: http://www-sigproc.eng.cam.ac.uk/~hl309/dafx2006/]
	Guastavino	An Interdisciplinary Approach to Audio Effect Classification	[slides]
		Vincent Verfaille, Catherine Guastavino, and Caroline Traube
	Guillemain	Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator	(oral)
		Philippe Guillemain and Jonathan Terroir
		[additional resources at: http://www.lma.cnrs-mrs.fr/~guillemain/DAFX06/dafx06.htm]
	Gurevich	Parameterized Morphing as a Mapping Technique for Sound Synthesis	(poster)
		Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
[H]	Hanna	A New Analysis Method for Sinusoids+Noise Spectral Models	[slides][.zip]
		Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
		[additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
	Hélie	On the Use of Volterra Series for Efficient Real-Time Simulations of Weakly Nonlinear Analog Audio Devices: Application to the Moog Ladder Filter	(oral)
		Thomas Hélie
	Holters	Graphic Equalizer Design Using Higher-Order Recursive Filters	[poster]
		Martin Holters and Udo Zölzer
[J]	Janer	Performance-Driven Control for Sample-Based Singing Voice Synthesis	[poster]
		Jordi Janer, Jordi Bonada, and Merlijn Blaauw
[K]	Kalinichenko	Smooth and Safe Parameter Interpolation of Biquadratic Filters in Audio Applications	(poster)
		Victor Kalinichenko
	Kelloniemi	Frequency-Dependent Boundary Condition for the 3-D Digital Waveguide Mesh	(poster)
		Antti Kelloniemi
	Kronland-Martinet	Consistency of Timbre Patterns in Expressive Music Performance	(oral)
		Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
		[additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
[L]	Lagrange	Assessing the Quality of the Extraction and Tracking of Sinusoidal Components: Towards an Evaluation Methodology	[slides]
		Mathieu Lagrange and Sylvain Marchand
	Laurson	Multichannel Signal Representation in PWGLSynth	(poster)
		Mikael Laurson and Vesa Norilo
		[additional resources at: http://www2.siba.fi/PWGL/]
	Lazzarini	Streaming Frequency-Domain DAFx in Csound 5	[poster]
		Victor Lazzarini, Joe Timoney, and Tom Lysaght
		Cecilia and TclCsound	(oral)
		Jean Piché and Victor Lazzarini
	Lin	Real-Time Bayesian GSM Buzz Removal	[slides]
		Han Lin and Simon Godsill
		[additional resources at: http://www-sigproc.eng.cam.ac.uk/~hl309/dafx2006/]
	Lokki	Detection of Room Reflections from a Binaural Room Impulse Response	(oral)
		Sampo Vesa and Tapio Lokki
	Lysaght	Streaming Frequency-Domain DAFx in Csound 5	[poster]
		Victor Lazzarini, Joe Timoney, and Tom Lysaght
[M]	Malloch	Examining Design Goals of Digital Musical Instruments	(poster)
		Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
	Marchand	A New Analysis Method for Sinusoids+Noise Spectral Models	[slides][.zip]
		Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
		[additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
		Fast Additive Sound Synthesis Using Polynomials	[slides]
		Matthias Robine, Robert Strandh, and Sylvain Marchand
		A Source Localization/Separation/Respatialization System Based on Unsupervised Classification of Interaural Cues	[slides][.zip]
		Joan Mouba and Sylvain Marchand
		[additional resources at: http://dept-info.labri.fr/~sm/DAFx06/]
		Assessing the Quality of the Extraction and Tracking of Sinusoidal Components: Towards an Evaluation Methodology	[slides]
		Mathieu Lagrange and Sylvain Marchand
	Martens	Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects	(poster)
		William Martens and Marui, Atsushi
	Martin	Parametric Coding of Stereo Audio Based on Principal Component Analysis	[slides 2.4Mo]
		Manuel Briand, David Virette, and Nadine Martin
	Marui	Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping Out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects	(poster)
		William Martens and Marui, Atsushi
	Meurisse	A New Analysis Method for Sinusoids+Noise Spectral Models	[slides][.zip]
		Guillaume Meurisse, Pierre Hanna, and Sylvain Marchand
		[additional resources at: http://www.labri.fr/perso/hanna/Expe/sounds.html]
	Misra	A New Paradigm for Sound Design	(oral)
		Ananya Misra, Perry R. Cook, and Ge Wang
		[additional resources at: http://taps.cs.princeton.edu/]
	Mouba	A Source Localization/Separation/Respatialization System Based on Unsupervised Classification of Interaural Cues	[slides][.zip]
		Joan Mouba and Sylvain Marchand
		[additional resources at: http://dept-info.labri.fr/~sm/DAFx06/]
	Müller	X-Micks - Interactive Real-Time Content Based Audio Processing	[poster]
		Norbert Schnell, Diemo Schwarz, and Remy Müller
	Murphy	Archaeological Acoustic Space Measurement for Convolution Reverberation and Auralization Applications	(oral)
		Damian T. Murphy
		[additional resources at: http://www.boothambar.org.uk/]
		High Accuracy Frame-by-Frame Non-Stationary Sinusoidal Modelling	(oral)
		Jeremy J. Wells and Damian T. Murphy
[N]	Nordstrom	Variable Pre-Emphasis LPC for Modeling Vocal Effort in the Singing Voice	[poster]
		Karl I. Nordstrom and Peter F. Driessen
		[additional resources at: http://www.ece.uvic.ca/~knordstr/dafx06/]
	Norilo	Multichannel Signal Representation in PWGLSynth	(poster)
		Mikael Laurson and Vesa Norilo
		[additional resources at: http://www2.siba.fi/PWGL/]
[O]	Orlarey	Using Faust for FPGA Programming	(poster)
		Robert Trausmuth, Christian Dusek, and Yann Orlarey
[P]	Parson	Real-Time Detection of Finger Picking Musical Structures	[slides]
		Dale E. Parson
	Peeters	Musical Key Estimation of Audio Signal Based on Hidden Markov Modeling of Chroma Vectors	(oral)
		Geoffroy Peeters
	Pendharkar	Parameterized Morphing as a Mapping Technique for Sound Synthesis	(poster)
		Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
	Penttinen	On the Dynamics of the Harpsichord and its Synthesis	[slides]
		Henri Penttinen
		[additional resources at: http://www.acoustics.hut.fi/publications/papers/dafx2006-harpsichord-dynamics/]
	Piché	Cecilia and TclCsound	(oral)
		Jean Piché and Victor Lazzarini
[R]	Rauhala	Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters	(oral)
		Jukka Rauhala and Vesa Välimäki
		[additional resources at: http://www.acoustics.hut.fi/demos/ext-disp/]
	Ravelli	Representations of Audio Signals in Overcomplete Dictionaries: What is the Link Between Redundancy Factor and Coding Properties?	(poster)
		Emmanuel Ravelli and Laurent Daudet
	Röbel	Adaptive Noise Level Estimation	(oral)
		Chunghsin Yeh and Axel Röbel
	Robine	Fast Additive Sound Synthesis Using Polynomials	[slides]
		Matthias Robine, Robert Strandh, and Sylvain Marchand
	Rocchesso	The Mellin Pizzicator	[slides]
		Antonio De Sena and Davide Rocchesso
		[additional resources at: http://profs.sci.univr.it/~desena/FMT/]
[S]	Sandler	Error Compensation in Modeling Time-Varying Sinusoids	[poster]
		Xue Wen and Mark Sandler
	Scavone	A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides	(oral)
		Gary Scavone and Julius O. Smith
	Schnell	X-Micks - Interactive Real-Time Content Based Audio Processing	[poster]
		Norbert Schnell, Diemo Schwarz, and Remy Müller
	Schwarz	X-Micks - Interactive Real-Time Content Based Audio Processing	[poster]
		Norbert Schnell, Diemo Schwarz, and Remy Müller
		Real-Time Corpus-Based Concatenative Synthesis with CataRT	[poster]
		Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
	Settel	A Spatial Interface for Audio and Music Production	(poster)
		Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
	Sikora	Granular Resynthesis for Sound Unmixing	[poster]
		Gunnar Eisenberg and Thomas Sikora
	Sinyor	Examining Design Goals of Digital Musical Instruments	(poster)
		Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
	Smith	Discretization of the '59 Fender Bassman Tone Stack	[slides]
		David T. Yeh and Julius O. Smith
		Robust Design of Very High-Order Allpass Dispersion Filters	[slides]
		Jonathan S. Abel and Julius O. Smith
		A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides	(oral)
		Gary Scavone and Julius O. Smith
		Some Physical Audio Effects	(poster)
		Edgar Berdahl and Julius O. Smith
		[additional resources at: http://ccrma.stanford.edu/~eberdahl/Projects/PhysicalEffects/]
	Stӗpánek	Musical Sound Timbre: Verbal Description and Dimensions	(oral)
		Jan Stӗpánek
	Strandh	Fast Additive Sound Synthesis Using Polynomials	[slides]
		Matthias Robine, Robert Strandh, and Sylvain Marchand
[T]	Terroir	Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator	(oral)
		Philippe Guillemain and Jonathan Terroir
		[additional resources at: http://www.lma.cnrs-mrs.fr/~guillemain/DAFX06/dafx06.htm]
	Timoney	Streaming Frequency-Domain DAFx in Csound 5	[poster]
		Victor Lazzarini, Joe Timoney, and Tom Lysaght
	Traube	An interdisciplinary Approach to Audio Effect Classification	[slides]
		Vincent Verfaille, Catherine Guastavino, and Caroline Traube
	Trausmuth	Using Faust for FPGA Programming	(poster)
		Robert Trausmuth, Christian Dusek, and Yann Orlarey
[U]	Usher	Extraction and Removal of Percussive Sounds from Musical Recordings	(poster)
		John Usher
[V]	Välimäki	Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters	(oral)
		Jukka Rauhala and Vesa Välimäki
		[additional resources at: http://www.acoustics.hut.fi/demos/ext-disp/]
	Van Nort	A Stochastic State-Space Phase Vocoder for Synthesis of Roughness	[poster]
		Doug Van Nort and Philippe Depalle
	Verbrugghe	Real-Time Corpus-Based Concatenative Synthesis with CataRT	[poster]
		Diemo Schwarz, Grégory Beller, Bruno Verbrugghe, and Sam Britton
	Verfaille	An interdisciplinary Approach to Audio Effect Classification	[slides]
		Vincent Verfaille, Catherine Guastavino, and Caroline Traube
	Vesa	Detection of Room Reflections from a Binaural Room Impulse Response	(poster)
		Sampo Vesa and Tapio Lokki
	Vicinanza	Synthesis by Arcs on the Unit Circle	(oral)
		Vittorio Cafagna and Domenico Vicinanza
		[additional resources at: http://www.musicainaudita.it/arcosinti]
	Virette	Parametric Coding of Stereo Audio Based on Principal Component Analysis	[slides 2.4Mo]
		Manuel Briand, David Virette, and Nadine Martin
[W]	Wanderley	Examining Design Goals of Digital Musical Instruments	(poster)
		Joseph Malloch, David Birnbaum, Elliot Sinyor, and Marcelo M. Wanderley
	Wang	A New Paradigm for Sound Design	(oral)
		Ananya Misra, Perry R. Cook, and Ge Wang
		[additional resources at: http://taps.cs.princeton.edu/]
	Wells	High Accuracy Frame-by-Frame Non-Stationary Sinusoidal Modelling	(oral)
		Jeremy J. Wells and Damian T. Murphy
	Wen	Error Compensation in Modeling Time-Varying Sinusoids	[poster]
		Xue Wen and Mark Sandler
	Wise	The Modified Chamberlin and Zölzer Filter Structures	[poster]
		Duane K. Wise
	Wozniewski	A Spatial Interface for Audio and Music Production	(poster)
		Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock
	Wyse	Parameterized Morphing as a Mapping Technique for Sound Synthesis	(poster)
		Chinmay Pendharkar, Michael Gurevich, and Lonce Wyse
[Y]	Yeh, C.	Adaptive Noise Level Estimation	(oral)
		Chunghsin Yeh and Axel Röbel
	Yeh, D. T.	Discretization of the '59 Fender Bassman Tone Stack	[slides]
		David T. Yeh and Julius O. Smith
	Yeo	Application of Raster Scanning Method to Image Sonification, Sound Visualization, Sound Analysis and Synthesis	(oral)
		Woon Seung Yeo and Jonathan Berger
	Ystad	Consistency of Timbre Patterns in Expressive Music Performance	(oral)
		Mathieu Barthet, Richard Kronland-Martinet, and Sølvi Ystad
		[additional resources at: http://w3lma.cnrs-mrs.fr/~kronland/DAFx06]
[Z]	Zölzer	Graphic Equalizer Design Using Higher-Order Recursive Filters	[poster]
		Martin Holters and Udo Zölzer