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| 07:30 |
Registrations |
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| 08:40 |
Welcome! |
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| 09:00 |
Keynote 1: Sparse Time-Frequency Transforms and Applications |
[slides 1.3Mo] |
[.zip 22.4Mo] |
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by Bruno Torrésani (LATP, Université de Provence, Marseille)
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| 10:00 |
Session 1 - Filter Design for Audio |
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Chair: Udo Zölzer |
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| 10:00 |
Discretization of the '59 Fender Bassman Tone Stack |
[slides 2.2Mo] |
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David T. Yeh and Julius O. Smith |
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| 10:20 |
On the Use of Volterra Series for Efficient Real-Time Simulations of Weakly Nonlinear Analog Audio Devices: Application to the Moog Ladder Filter |
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Thomas Hélie |
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| 10:40 |
Robust Design of Very High-Order Allpass Dispersion Filters |
[slides 300ko] |
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Jonathan S. Abel and Julius O. Smith |
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| 11:00 |
Coffee/Tea Break |
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| 11:20 |
Session 2 - Performance and Gestural Control |
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Chair: Jan Tro |
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| 11:20 |
Consistency of Timbre Patterns in Expressive Music Performance |
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Mathieu Barthet, Richard Kronland-Martinet and Sølvi Ystad |
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| 11:40 |
Real-Time Detection of Finger Picking Musical Structures |
[slides 2ko] |
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Dale E. Parson |
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| 12:00 |
Using Visual Textures for Sonic Textures Production and Control |
[slides 3.4Mo] |
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Jehan-Julien Filatriau, Daniel Arfib and Jean-Michel Couturier |
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| 12:20 |
Lunch & Poster Session 1 |
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Graphic Equalizer Design Using Higher-Order Recursive Filters |
[poster 340ko] |
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Martin Holters and Udo Zölzer |
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Performance-Driven Control for Sample-Based Singing Voice Synthesis |
[poster 1.4Mo] |
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Jordi Janer, Jordi Bonada and Merlijn Blaauw |
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Parameterized Morphing as a Mapping Technique for Sound Synthesis |
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Chinmay Pendharkar, Michael Gurevich and Lonce Wyse |
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Examining Design Goals of Digital Musical Instruments |
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Joseph Malloch, David Birnbaum, Elliot Sinyor and Marcelo M. Wanderley |
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The Modified Chamberlin and Zölzer Filter Structures |
[poster 260ko] |
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Duane K. Wise |
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Smooth and Safe Parameter Interpolation of Biquadratic Filters in Audio Applications |
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Victor Kalinichenko |
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| (cancelled) |
Identifying and Analyzing Relevant Characteristics of Dynamic Range Compression |
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Andrés Cabrera |
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X-Micks - Interactive Real-Time Content Based Audio Processing |
[poster 340ko] |
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Norbert Schnell, Diemo Schwarz and Remy Müller |
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| 14:20 |
Session 3 - Sound Synthesis 1 |
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Chair: Georg Essl |
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| 14:20 |
Dispersion Modeling in Waveguide Piano Synthesis Using Tunable Allpass Filters |
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Jukka Rauhala and Vesa Välimäki |
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| 14:40 |
Prepared Piano Sound Synthesis |
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Stefan Bilbao and John ffitch |
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| 15:00 |
Digital Synthesis Models of Clarinet-Like Instruments Including Nonlinear Losses in the Resonator |
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Philippe Guillemain and Jonathan Terroir |
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| 15:20 |
A Stable Acoustic Impedance Model of the Clarinet using Digital Waveguides |
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Gary Scavone and Julius O. Smith |
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| 15:40 |
Coffee/Tea Break |
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| 16:00 |
Session 4 - Audio Effects |
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Chair: Sylvain Marchand |
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| 16:00 |
An interdisciplinary Approach to Audio Effect Classification |
[slides 6.6Mo] |
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Vincent Verfaille, Catherine Guastavino and Caroline Traube |
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| 16:20 |
Fractal Modulation Effects |
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Gianpaolo Evangelista |
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| 16:40 |
The Mellin Pizzicator |
[slides 4Mo] |
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Antonio De Sena and Davide Rocchesso |
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| 17:00 |
End of Session |
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| 17:30 |
Visit of CIRMMT and Music Tech |
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| 20:00 |
Concert |
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